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A következő címkéjű bejegyzések mutatása: férfiak. Összes bejegyzés megjelenítése

96. women



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Comedian, actor, singer and writer Groucho Marx was born Julius Henry Marx on October 2, 1890, in New York City. Groucho Marx spent nearly seven decades making people laugh with his snappy one-liners and sharp wit. He once described his comedy as "the type of humor that made people laugh at themselves."
While he originally aspired to be a doctor, Marx started his career as a singer. One of his earliest efforts proved to be disastrous, however. As part of the Le May Trio, Marx got stuck in Colorado for a while after another group member took off with his pay. He had to work at a grocery store to earn enough money to make it back to New York.
Marx's father Samuel never had much success as a tailor, and the family struggled financially. His mother Minnie hoped that she might find prosperity through her five children. She became the quintessential "stage mother," guiding her children's theatrical acts and even performing herself. The act eventually featured Groucho and his brothers Leonard, Adolph and Milton...
...The Marx Brothers had a career breakthrough in 1914 while performing in Texas. During a show, some of the audience left to go see a runaway mule. When they returned, the Marx Brothers put aside their usual routines to make fun of the audience. Groucho's quick-witted quips won over the crowd. The switch to comedy proved to be their ticket to success.
By the 1920s, the Marx Brothers had become a hugely popular theatrical act. Groucho had developed some of his trademarks by this time. He often wore a long coat, a painted-on mustache, thick glasses and held on to a cigar on stage. In addition to just liking cigars, Marx explained that they proved useful, too. He said that "if you forget a line, all you have to do is stick the cigar in your mouth and puff on it until you think of what you've forgotten."...
(www.biography.com)

53. men



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(www.biography.com)
Dorothy Parker was the sharpest wit of the Algonquin Round Table, as well as a master of short fiction and a blacklisted screenwriter.
In addition to her writing, Dorothy Parker was a noted member of the New York literary scene in 1920s. She formed a group called the Algonquin Round Table with writer Robert Benchley and playwright Robert Sherwood. This artistic crowd also included such members as The New Yorker founder Harold Ross, comedian Harpo Marx, and playwright Edna Ferber among others. The group took its name from its hangout—the Algonquin Hotel, but also also known as the Vicious Circle for the number of cutting remarks made by its members and their habit of engaging in sharp-tongued banter.

(excerpt from an interview with Dorothy Parker by Marion Capron – www.theparisreview.org)
INTERVIEWER: That’s not showing much respect for your fellow women, at least not the writers.
PARKER: As artists they’re not, but as providers they’re oil wells; they gush. Norris said she never wrote a story unless it was fun to do. I understand Ferber whistles at her typewriter. And there was that poor sucker Flaubert rolling around on his floor for three days looking for the right word. I’m a feminist, and God knows I’m loyal to my sex, and you must remember that from my very early days, when this city was scarcely safe from buffaloes, I was in the struggle for equal rights for women. But when we paraded through the catcalls of men and when we chained ourselves to lampposts to try to get our equality—dear child, we didn’t foresee those female writers. Or Clare Boothe Luce, or Perle Mesta, or Oveta Culp Hobby.
INTERVIEWER: You have an extensive reputation as a wit. Has this interfered, do you think, with your acceptance as a serious writer?
PARKER: I don’t want to be classed as a humorist. It makes me feel guilty. I’ve never read a good tough quotable female humorist, and I never was one myself. I couldn’t do it. A “smartcracker” they called me, and that makes me sick and unhappy. There’s a hell of a distance between wisecracking and wit. Wit has truth in it; wisecracking is simply calisthenics with words. I didn’t mind so much when they were good, but for a long time anything that was called a crack was attributed to me—and then they got the shaggy dogs.